Carac Allison

Why do you write? I started taking writing seriously when I was fifteen. I wanted to explore the worlds I fantasized about. I wanted to give a voice to the characters I heard. I wanted to respond to the books that inspired me.

Describe where you write. I write in a very small, very dark room. I use a clacky mechanical keyboard and I keep the volume up on my headphones.

Who or what is your muse? My wife is my muse. She inspires me and she makes everything possible.

Three wishes . . . 1. I want "Dark Digital Sky" to reach as many readers as possible. 2. I want to have the time to write at least 9 more books in the Dark Pantheon Series. 3. I'd love to see Chalk on the screen.

Favorite childhood book, and why? "Ender's Game." No other book transported me so completely when I was a kid.

Explain when is your ideal time to write. Early morning. For years I got up at 4:00 AM to write before class and work. I can't write anything good past noon.

Name a book you would reread again and again, and why. "Cannery Row" by John Steinbeck. Because it's true.

E-book or print? Why? E-book all the way. I can't read one book at a time. I always have at least a dozen on the go and my Kindle makes that possible.

Favorite magazine, and why? Wired. It's a glimpse of the near future.

What would you like readers to take away from your writing? I want readers to believe in the dark world I create.  I think fan fiction is the ultimate compliment for a writer.

Carac.Allison@gmail.com

CaracAllison.com



Dark Digital Sky

darkdigitalskyI think I definitely have a crush on Los Angeles Private Investigator Chalk (short for Chaucer, his father was an English professor), the protagonist in Carac Allison’s thriller Dark Digital Sky.  Any man who has scrolling text on a screen from classic literary works alongside another screen displaying horror in his living room is a man after my own heart.  In addition, Chalk’s no nonsense worldview and ability to read people is refreshing:

I spend most of my life working life in the 911 driving around LA.  I’m not going to go home, pull on some runners, and see LA. slower while panting.  I can’t swim.  I disagree with pick-up basketball as a philosophical concept.  I feel that rec softball leagues are most likely communist sleeper cells.  I believe in-line skating invariably leads to spectacular death.  I suspect that racket ball is entirely made up each time it is played.  (Loc 143)

Everyone assumes that sperm banks are for women who have given up on finding a decent guy alive and in the wild.  (Loc 207)

Autocomplete is limiting discourse and killing the language.  (Loc 540).

We’ve reached her home.  And waiting on the step is the daughter who had a different dad for one confusing month in a Hollywood mansion.  We just keep finding ways to fuck up kids.  (Loc 874).

A former FBI agent, Chalk is hired to find the adult children of a man who was once a sperm bank donor.  Yet, during his investigation Chalk stumbles onto far more.  Instead of causing one’s eyes to glaze over, Allison is able to portray Chalk’s work with technology as an investigative aid in terms an admitted user of blanket statements such as, “The intricacies of technology are boring,” would recant.

With Chalk being the son of an English professor and one who alludes to classic works, the numerous typos, missing articles, and repeated words sprinkled throughout Dark Digital Sky are distracting.

“frunk”  (Loc 119 and 3752) instead of “trunk”

“get back the condo” (Loc 2239) instead of “get back to the condo”

“And I when I sober up . . .”  (Loc 2709)

“I give the him a . . .” (Loc 3354)

For the purposes of book club, pizza delivery would mirror Chalk’s typical eating habits, but his visit to The Sunset Tower Hotel involving a “California omelet with goat cheese, avocado and scallions” (Loc 1000) sounds much more mouthwatering in order to enlist a lively discussion.